Fabien actually went white when he saw the tail!” I got carried away and thought it was so clever and gave it a tail. It was cute but not so cute that a grownup couldn’t have it on her table. The drawing just got simpler and simpler until it’s basically just a round ball with two little spiky ears … I wanted it to have a clean modern feeling about it, but still be a cat because I’m so obsessed with them. On feline influences in her perfume bottle: “Due to the fact that I’m rather partial to cats, when I was doodling, became a cat, of course. On her wardrobe: “I can fantasize about clothes and think, ‘If I was a 15-year-old nymph maybe I would wear this.’ I have to be able to think it through and rationalize whatever I do.” So, do I want to design for a big company? Not really.” I’ve sat in a design room at Calvin Klein, and to a degree it was exciting. Prada obviously they’re not going to ask me to design something for them. On being a snob: “I’m a snob I like to be associated with major designers like Nicolas, or Marc, or Hedi, or Phoebe, or Mrs. “It’s a difficult time for many things, but fashion particularly.” Read on for her best moments. “Now is a very difficult time for fashion,” she said. In Document magazine’s latest cover story, Coddington talked snobbery, tedious bureaucracy, and not letting her inner 15-year-old rationalize decisions. Grace Coddington, former creative director of American Vogue and cat enthusiast, has released a memoir and a perfume, and will soon work for an American Heritage brand. Grace Coddington on the cover of Document.
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